Going Back to a Simpler Place and Time (Woo Woo!)


The Incumbent suggested I might like to look up on Youtube the latest sensation to take to the stage in Britain’s Got Talent. In the spirit of Susan Boyle, the producers have unearthed a young lad with the face of a fat Ross Noble and the voice of an Italian fiver. The missus was drawn to tears by the young man’s performance, and quite right too. I always cry when I watch a show including David Walliams but this time I had moist mince pies not because the poor man’s Michael MacIntyre was on the box again, but because he was on a panel (how ? HOW?) judging the worth of various acts. This eclectic bunch had, presumably, seen he’d had his own TV show and thought “well, if he can make a couple of quid with bugger all talent at all, I must have half a chance”.

Walliams, like the other half of the new BBC Sports line-up, John Bishop, is about as funny accidentally ending up at Michael Barrymore’s holiday home in Homs, Syria  where he’s holding a comeback swimming pool and toilet brush party. Recently, in lieu of telling shite jokes, the gruesome twosome have donned swimming trunks and taken the place of horse racing, Formula1, cricket, Football and Rugby. Just in case you find yourself enjoying it, Mike Bushell pops up to fuck up all the continuity announcements, and Boom Goes the Dynamite. The half time entertainment is provided by Freddie Flintoff naming the flags and national dishes of Commonwealth countries.

But I digress.

So Walliams with his fellow smug arse Simon Cowell (I neither have time nor space to discuss him here) hold the power of life and death over a motley collection of talented (or otherwise) men and women, boys and girls (or otherwise) who perform on stage in front of a tv audience of millions. It’s mostly pretty buttock-clenching stuff, but every so often they unearth a Susan Boyle or a Jonathan Antoine and his friend Charlotte (who The Sun exclusively reveal today is an aspiring model !!!! Who knew ???)

The boy John really can sing. He has a fantastic pair of lungs. (I’m not posting the video here because a bit of me thinks every click justifies Cowell and Walliams existence and that’s not what I’m here to do. Honestly. ) But it got me around to thinking that after the success of Subo, the fat and ugly clubs of the UK have been inundated with Simon’s talent scouts looking for someone with a face like a blind cobbler’s thumb and the voice of a Disney cartoon nymph to “surprise” the panel for the new series. If you happen to have  a face like a bulldog licking the piss of a thistle, expect a mic thrust under your nose on the off-chance you can knock out a tune like Engelbert Humperdink – or even maybe in tune.

And before you ask, no – I have not been approached by a team of researchers with a tape recorder asking me to warble Old Shep for Amanda Holden to weep over. And weep she would, for all sorts of reasons. Weeping is also rife in my house – and not just when The Incumbent watches young singers on talent shows. DIY SOS gets me, if you really want to know.

So big Johnathan and his sister got through to the next round and I suppose the recording contract has already been signed (even if it hadn’t been by the time we saw him on our screens). Is Susan Boyle still a going concern ? I don’t know but I suspect she is making shedloads of cash from sales to every other mothers in the land. Johnathan, I suspect, will be heading for a similar, successful career.

If you really want to see talent, take a butchers at the below, sent to me this afternoon by The Talented Mr Rapley (raconteur, bon-viveur and wit) who couldn’t help himself from reminding us all of the great talent that were Gladys Knights Pips (and that’s not a euphemism). If Johnathan could squeeze himself into either one of these magnificent flared suits, or even Gladys’s poncho, and perform these moves he’d get my vote every week. But in the meantime, no weeping just sit back and enjoy these chaps at their peak.

Shove that up your arse, Walliams.

A Reet Petite Jock


This is Jackie Wilson. 60s singing sensation, the man who brought us the classics Reet Petiite, I get the Sweetest Feeling and (Your Love Keeps Lifting Me) Higher and Higher amongst others. Known as Mr Showman, Wilson has oddly never received the credit for his influence on popular music, being one of the great pioneers of what was to become soul music, but remains one of the great acts of one of the most exciting times in music history.

This is John Thomas WIlson, known as ‘Jocky’. He was two-time World Professional Darts Champion in the 1980s and was notable for his ability to drink heavily and play darts at the same time. He too was as great showman and his battles with his great rivals at the time, Eric “Crafty Cockney” and John Lowe” kept a nation enthralled and glued to their television sets, at a time when there were only 3 channels to watch and long before the BBC decided to turn its back on any sports event that didn’t involve John Bishop or David Walliams.

Jocky was a constant sweet-eater and refused to brush his teeth – “my Gran told me the English poison the water” – he had lost his last tooth by the age of 28. After his 1982 World title win, he paid £1,200 for dentures, but never got on with them. They made him belch when drinking, he complained

Unlike Jackie Wilson, Jocky’s music career was short-lived. In 1989 he released a record Jocky on the Oche but it failed to spark the public imagination and is reputed to have sold just 850 copies.

Sadly for the darts lovers of the world, Jocky died overnight and will be sorely missed by his family, colleague and all those who enjoy a character with our sport. When Jackie WIlson died in 1984 he was inexplicably originally buried in an unmarked grave until 1987 a fundraising campaign collected enough money to correct the mistake.

When in 1982 Dexy’s Midnight Runners performed on Top of the Pops their current hit single Jackie Wilson Said (a cover of a Van Morrison hit)  few could have predicted that somewhere in the BBC was a picture researcher who knew little of Van Morrison or Jackie Wilson and his music, let alone what he looked like. Or perhaps lead singer Kevin Rowland singing in a Birmingham accent was enough to convince the production team that The Runners were praising the World Darts Champ and not celebrating the career of a great R&B singer.

Whatever the reason, this was the final result.

Droogs and Cleverdicks


Oh I’m far too tired to write anything, really. I’m quite knackered having spent 3 hours driving through London. I could have gone around the M25 (as indeed I had on the outward journey) but “that takes ages” and there’s “always queues this time of day” quoth I. So it’s my own fault, really, that I’ve been staring at a Renault’s exhaust pipe for most of the afternoon. But it doesn’t make me any less knackered. Ok, so drop it, will you?

The reason for my drive was to visit one of the few hospitals in the South East I hadn’t been to in the past  6 months. This one was in High Wycombe in …er…Oxfordshire, I guess and the Incumbent and I drove there this morning with all speed. To cut a long story short we ended up in a car park of the ironically entitled Eden shopping centre which was near to the hospital, but closer to a coffee bar which, after 90 minutes on the M25 at Warp Factor 7, you need the services of. I’m no theologian (no, I’m not, honestly) but I suspect when Adam and Eve were in their Eden it didn’t resemble the half-finished set of the Blade Runner remake, nor were they sat on a bench, sipping on their lattes watching the local hooker sort out her diary appointments in between flicking lumps of yet-to-be indentified remnants from her “mink” (probably cat) coat.

As an aside, on the drive up we were surprised to hear an advert in the radio for the Radio 2 Young Brass Award 2012. I didn’t realise they held competition for Brasses nowadays, especially on Her Majesty’s BBC. How things have progressed ! Our girl in the coffee bar was not in the final line-up, but with hard work I’m sure …etc…etc

Not seen in High Wycombe today. Not by us, anyway.

But that’s by-the-by. As we gingerly made our way through the Droogs of Wycombe to the hospital, we wondered if we’d ever see our car again. At least in one piece, complete with glass surround and the traditional tyre in each corner. I really didn’t fancy leaving it all alone for very long here, in this homage d’Homs. I wouldn’t do it in downtown Dartford, and I didn’t wanna do it here. I wouldn’t send my ex wife in there.

For better or worse, the appointment with the doc lasted 1 minute, 17 secs. If I knew then what I know now – that I’d spend over 5 hours on the road for less than two minutes consultation, I might have lost my typically jolly demeanour.

So, as they say in all great holiday itineraries, we had the rest of the day to ourselves. Well, to ourselves along with the multitude of motor vehicles running the gauntlet of the M40, the Marylebone Road and all routes South East. There were only about a million of us. None of us managed a speed about 5 mph. Talk about Falling Down.

The radio was our only escape from this misery. Or so I had hoped. You can probably and rightly surmise that I don’t listen to what da kids are calling popular jazz combos, daddy-o very often, but I am not as out of touch, nor tune, as you might think. That big lass from Tottenham certainly can knock out a tune, no mistake – I just wish she’d keep her embarrassing North London quips to herself (I still shudder when I think of her outburst at The Grammys). But that aside, I had no hesitation to believe she was well worth all the gongs she’s been picking up recently. I just hadn’t understood what a shoe-in she really was.

Hour upon hours of music was played , and a lot of it was sung by Adele, but every so often there was another announced “Brit Nominee” or “Grammy runner up” and what a load of old tosh it was. That young ginger bloke with the guitar (it’ll come to me in a minute) is ok, but that’s my point: he’s OK, nothing memorable.  (yes yes yes, I do sound like my dad). Then there’s Rihanna, a warbless who is perfectly fine, even if she does sound like any other artist of her gender from wither side of the pond for the last 25 years. It puts it into perspective how good, strong, special Adele really is. In-the-land-of-the-blind-the-one-eyed-man-is-king sorta thing.

Ed Sheeran. There ! I knew I’d get there in the end. Ed Sheeran’s the ginger bloke !

A lot of this was lost on me last week in the noise surrounding the death of Whitney Houston. I’m not in the habit of speaking ill of the dead for the sake of speaking ill of the dead. No I’m not. However, as sad as I’m sure here demise is and was, I was never a big fan. I’d go so far to say that her brutal treatment of George Benson’s The Greatest Love of All and Dolly’s I will Always Love You needed some serious scrutinizing by someone in the Hague, but that’s just my opinion. I suspect she was as popular as she was because she was a one off (no argument with me there) which is more than you can say about some of the woeful talent picking up the silverware this and last week.

Maybe I shouldn’t be listening to this Radio show ? Maybe I should stick to talk radio where there’s always a good argument taking place. But I hate phone-ins. I hate the public, you see. I always end up veering off the road as I sink my teeth into the steering wheel while listening to Jon Gaunt or Vanessa Feltz opine about some subject close to their hearts (it’s normally ‘chuck the immigrants out’ or ‘scrounging single mums’). How do these people get a job? Vanessa Feltz as a Radio Host ?? Ludicrous.

Why stop there ? We could have former pro boxer , current amateur pugilist and now fugitive from police David Haye presenting Antiques Roadshow; Toby Young as the Political Editor of the Sunday Sun (it would need to be a Murdoch paper, of course); or former Tory MP Ann Widdecombe given her own quiz show on some Murdoch tv station?

Too late, I’m afraid. The last two suggestions are now a reality. Honest. Only Haye is not working somewhere he shouldn’t be, waiting as he is for Fiona Bruce to throw a 7 and let him in. Toby Young is indeed going to be the News of The Sunday Sun Political guru and Widdecombe hosts “Cleverdicks” on Sky . You couldn’t make it up.

Well I couldn’t : I’m far too tired. Good Night.

Cover Me, I’m Going In.


Driving along the other day, I was listening to one of those shows which cover the old charts. The Top 20 of 1968, ’78, and ’88 – you know the sort of thing. These crop up, usually on old gits channels – like BBC Radio 2,  Smooth FM, or Magic. Not the sort of thing the under 30s listen to, but then again, no-one under 30 reads this, so who gives a monkeys? Back in the slagheaps of my youth, these were the sort of shows hosted by Ed “Stewpot” Stewart, Tony “Smug and Annoying” Blackburn or, of course Jimmy “Dodgy Bastard implicated  in child abuse, and protection rackets now inexplicably a National Treasure” Savile. He’s gone now, bless him, to jingle-jangle his way around the childrens’ wards of the afterlife. Owsaboutthatthen?

But that’s another story.

One of the chosen highlights of the 1978 chart was the lamentably unforgettable Arthur Mullard and Hylda Baker‘s cringe-worthy version of You’re the One that I Want, originally from Grease and sung by Elton John and Vincent Vega. We’d have never have thought there was a worse version than the original. Hilda and Arthur proved us wrong.

It led my mind to wander down many avenues and alleyways: Was Arthur the worst actor this country has produced ? Probably, (though it was a title cruelly taken from him by Mr and Mrs Law of Lewisham, south London, when they gave birth to their son Jude); should Hylda have been in the film instead of Stockard Channing ? She would have boosted the sex appeal of the movie; And of all the songs the radio station could have chosen to highlight from the top 20 of 1978, why did they decided to choose that one?

Having said that, I’ve always taken an interest in cover versions and the thought behind them. Whoever thought that it’s be a good idea for Bauhaus to cover David Bowie’s Ziggy Stardust needs both their head and ears testing, as it is basically the same song, just a different sticker on the vinyl (as it was back then).

A lot depends on the listener. When I was a kid I thought Blondie‘s “Denis Denis” was a wonderfully odd new number, until I discovered the original “Denise” by the beautifully named Randy and the Rainbows. I know kids that think Rolf Harris wrote Stairway to Heaven (even though it’s nowhere near the classic that is Jake the Peg) and got very upset when I played them the original. Come to think of it, I get upset when I hear it too, overrated shite that it is.

I have little time for The Wurzels, but their version of Don’t Look back in Anger has me in stitches every time it’s played. I only wish I see the look of disgust in the pretentious, slap-inducing faces of the John Lennon impersonators who wrote the ‘original’ when they hear it. I use the word ‘original’ under caution. I wait patiently for The Wurzels’ cover of anything by Morrissey. I can die in peace then.

I could go on. The Fugees version of “Killing Me Softly” stands up very well indeed against the Roberta Flack original, whereas Whitney Houston singing George Benson’s “Greatest Love of All” sounds like someone trying to machete to death a wounded ferret. It seems to these old ears that less and less of this sort of thing goes on. I often hear about sampling, rather than covering. I don’t know where one ends and another begins. I do know that “taking a sample” means something completely different now than it did to me when I was a kid. In the same way that whereas today Loverdose is a perfume, in my day it wasn’t something to give to your girlfriend, if you could possible help it.

So there you have it (for today at least). One man’s poison is another man’s Robert Plant classic is another man’s Rolf Glastonbury Anthem. One person’s sweet scent is another’s Loverdose. Ball or Aerosol ?

Our Frank


Photo and half time oranges courtesy of Mr Terry Kirk

You’ll notice a couple of things about the above photo. Firstly, how the young man on the far left of the front row has hardly changed at all over the past 25 years since the snap was taken of the Dartfordians 1st XV 1985/86. The young then-winger went onto become one of east Bexley’s least talked about centers, one of the country’s slowest fast bowlers and writer of mumbling and bumbling slightly-left-of-centre blogs, part-time t-shirt maker and scaffolder’s knee-wrencher.

You’ll also notice the rather imposing figure, third in from the left of the back row of Frank Wallen. Man-mountain, father, brother (in all senses of the word), all-in wrestler, civil servant and tickler of the ivories (he played all the right notes in the right order). Frank died last night, they tell me, apparently of a heart attack. He will be sorely, sorely missed.

Frank was my vice captain when for some reason I was asked to captain the 1st XV. It was a long time ago, but the memories of my disastrous and lacklustre attempts to skipper that side still keep awake at night those poor sods who were there to witness it.

Not that Frank need have taken any of the blame for our appalling form (and I’d like to meet the bloke who’d have blamed him.) While my alcohol or apathy-related injuries prevented me from attending midweek training, Frank would be there, with the other 7 attendees, running around the dark and wet field, scaring and scragging people as he went. He did all this without a moan, without once having a go at me for not being there/being in the pub/staying at work/being in the pub (delete where applicable). Good job too: I’d have shit myself if he’d had done so.

Off the pitch he was as gentle a man you could ever wish to meet. Quiet, with a magnificent sense of humour and smile to match, he would sit at the bar, pipe on the go, nodding and giggling along with whatever story was being rolled out again for the umpteenth time. He was terrific company and seemed amiable and happy all the time.

On the pitch was a slightly different story. My mate Keith – no mean player himself – recounts the day as a 19 year old he took his place in the side as hooker, alongside Frank in the scrummage (Frank would have been around 30 by then already). The match was against local rivals Gravesend, and at each and every scrum, Frank’s opposite number would take the opportunity to call Frank a “black cvnt” every time their heads came close. What this bloke was going to do to Our Frank during and after the match was no-one’s business and anyone’s guess. Sadly for the Gravesend player (let’s call him Terry), the end of the game came sooner than expected. For him, at least.

As Keith jogged across to a lineout, he saw Terry, hands on his knees, bent over grabbing huge lungfuls of air between plays. Then something odd happened. Nothing is certain, but it seems Terry must have slipped because, all of a sudden, his chin came into violent connection with a freshly-arrived knee (the colour of which has never been proven). Terry exited the pitch quickly, chin-first, eyes shut, at a 30 degree angle and four feet above the ground, until he landed on the cricket square between pitches (somewhere around backward short leg). Frank looked around innocently. Keith threw up.

Everyone on the circuit knew Frank. He sorta stood-out. It wasn’t just that he was one of the few black prop-forwards around (we down the Rugby Club also enjoyed the playing company of his younger, bigger brother Brian), he was also as strong as one man could possibly be. I mean scary-strong.

Perhaps it was this strength that lent itself so readily to Frank’s other sporting passion: All-In Wrestling. These were the days well before WWF or Wrestlemania or whatever. Men in ill-fitting cotton and spandex outfits, pretending to jump up and down on other men, similarly attired. It must have been so hard for Frank to “pretend”.

But he didn’t fight as Frank Wallen. No, no, nothing as drab as that. When our Big Frank entered the ring he became none other than “Soul Brother Butcher” Dave Bond. It just rolled off the tongue in a way his opponents rolled off the canvass. Of this world of fixed bouts, of goodie and baddies, and little old women screaming at someone to “rip ‘is bloomin’ ‘ead orf”, Frank would tell you that he never competed as a goody. “Apart from in Brixton” he would add with smile.

After a rugby match, if you were particularly lucky, Frank and his big mate John Harrison (another big unit) would sit either end of a piano keyboard and treat you to some honky-tonk.  If you were really really lucky you’d have been in a public bar when this mate John pretended to square up to Frank, having the effect of terrifying the barman due to the imminent prospect of a huge punch-up between two enormous men. As the poor innkeeper, fearful of the pub’s decor, nervously shouted “I’ll call the police”, both Frank and John would cuddle the poor guy, Frank in fits of laughter as John (a member of Her Majesty’s Met Police) would tell him “they’re already here, mate”.

But more often than not, you’d find Frank sitting at the bar, supping on his pint and pipe, smiling and listening to all around him, chatting about the game that afternoon. He knew he was a little different, that he cut an impressive dash, an imposing figure. But all Frank wanted to do was to enjoy life, a game and a pint.

As I left the clubhouse one night, he got me into a headlock to tell me a joke (it’s what he did).
“Hey, Bomber, why do white girls go out with black blokes ?”
Dreadfully nervous of putting my foot in it I replied lamely “er…I dunno, Frank”
“To get their handbags back” he cracked. Huge grin across his face, giggling to himself like a schoolboy.

“Now Frank, you’d have killed anyone here if they’d have told you that” I suggested.
“Yep, but they never would, Mike.” he grinned “They never would”.

It Makes You Proud


Not since The Rubettes appeared on Top of Pops will you have seen miming to a backing track done quite so well as this. It makes you thank the Great Beardy Being up above that the boys in the following video are defending us in the Gulf of Somewhere, not representing us in the Eurovision song contest.

All good fun though.

You don’t often see miming anymore. The audience of pop shows are too discerning, and anyway, you don’t see shows like TOTP any more, decent shows having been replaced by Omnibus episodes of Location Location Location Location Location, Come Snore with Me or Fuck It! . Stakes are high in the music industry nowadays. One dodgy performance could mean billions of lost downloads.

T’were simpler times, back in 1974.