Category Archives: Music

Droogs and Cleverdicks

Posted on
2

Oh I’m far too tired to write anything, really. I’m quite knackered having spent 3 hours driving through London. I could have gone around the M25 (as indeed I had on the outward journey) but “that takes ages” and there’s “always queues this time of day” quoth I. So it’s my own fault, really, that I’ve been staring at a Renault’s exhaust pipe for most of the afternoon. But it doesn’t make me any less knackered. Ok, so drop it, will you?

The reason for my drive was to visit one of the few hospitals in the South East I hadn’t been to in the past  6 months. This one was in High Wycombe in …er…Oxfordshire, I guess and the Incumbent and I drove there this morning with all speed. To cut a long story short we ended up in a car park of the ironically entitled Eden shopping centre which was near to the hospital, but closer to a coffee bar which, after 90 minutes on the M25 at Warp Factor 7, you need the services of. I’m no theologian (no, I’m not, honestly) but I suspect when Adam and Eve were in their Eden it didn’t resemble the half-finished set of the Blade Runner remake, nor were they sat on a bench, sipping on their lattes watching the local hooker sort out her diary appointments in between flicking lumps of yet-to-be indentified remnants from her “mink” (probably cat) coat.

As an aside, on the drive up we were surprised to hear an advert in the radio for the Radio 2 Young Brass Award 2012. I didn’t realise they held competition for Brasses nowadays, especially on Her Majesty’s BBC. How things have progressed ! Our girl in the coffee bar was not in the final line-up, but with hard work I’m sure …etc…etc

Not seen in High Wycombe today. Not by us, anyway.

But that’s by-the-by. As we gingerly made our way through the Droogs of Wycombe to the hospital, we wondered if we’d ever see our car again. At least in one piece, complete with glass surround and the traditional tyre in each corner. I really didn’t fancy leaving it all alone for very long here, in this homage d’Homs. I wouldn’t do it in downtown Dartford, and I didn’t wanna do it here. I wouldn’t send my ex wife in there.

For better or worse, the appointment with the doc lasted 1 minute, 17 secs. If I knew then what I know now – that I’d spend over 5 hours on the road for less than two minutes consultation, I might have lost my typically jolly demeanour.

So, as they say in all great holiday itineraries, we had the rest of the day to ourselves. Well, to ourselves along with the multitude of motor vehicles running the gauntlet of the M40, the Marylebone Road and all routes South East. There were only about a million of us. None of us managed a speed about 5 mph. Talk about Falling Down.

The radio was our only escape from this misery. Or so I had hoped. You can probably and rightly surmise that I don’t listen to what da kids are calling popular jazz combos, daddy-o very often, but I am not as out of touch, nor tune, as you might think. That big lass from Tottenham certainly can knock out a tune, no mistake – I just wish she’d keep her embarrassing North London quips to herself (I still shudder when I think of her outburst at The Grammys). But that aside, I had no hesitation to believe she was well worth all the gongs she’s been picking up recently. I just hadn’t understood what a shoe-in she really was.

Hour upon hours of music was played , and a lot of it was sung by Adele, but every so often there was another announced “Brit Nominee” or “Grammy runner up” and what a load of old tosh it was. That young ginger bloke with the guitar (it’ll come to me in a minute) is ok, but that’s my point: he’s OK, nothing memorable.  (yes yes yes, I do sound like my dad). Then there’s Rihanna, a warbless who is perfectly fine, even if she does sound like any other artist of her gender from wither side of the pond for the last 25 years. It puts it into perspective how good, strong, special Adele really is. In-the-land-of-the-blind-the-one-eyed-man-is-king sorta thing.

Ed Sheeran. There ! I knew I’d get there in the end. Ed Sheeran’s the ginger bloke !

A lot of this was lost on me last week in the noise surrounding the death of Whitney Houston. I’m not in the habit of speaking ill of the dead for the sake of speaking ill of the dead. No I’m not. However, as sad as I’m sure here demise is and was, I was never a big fan. I’d go so far to say that her brutal treatment of George Benson’s The Greatest Love of All and Dolly’s I will Always Love You needed some serious scrutinizing by someone in the Hague, but that’s just my opinion. I suspect she was as popular as she was because she was a one off (no argument with me there) which is more than you can say about some of the woeful talent picking up the silverware this and last week.

Maybe I shouldn’t be listening to this Radio show ? Maybe I should stick to talk radio where there’s always a good argument taking place. But I hate phone-ins. I hate the public, you see. I always end up veering off the road as I sink my teeth into the steering wheel while listening to Jon Gaunt or Vanessa Feltz opine about some subject close to their hearts (it’s normally ‘chuck the immigrants out’ or ‘scrounging single mums’). How do these people get a job? Vanessa Feltz as a Radio Host ?? Ludicrous.

Why stop there ? We could have former pro boxer , current amateur pugilist and now fugitive from police David Haye presenting Antiques Roadshow; Toby Young as the Political Editor of the Sunday Sun (it would need to be a Murdoch paper, of course); or former Tory MP Ann Widdecombe given her own quiz show on some Murdoch tv station?

Too late, I’m afraid. The last two suggestions are now a reality. Honest. Only Haye is not working somewhere he shouldn’t be, waiting as he is for Fiona Bruce to throw a 7 and let him in. Toby Young is indeed going to be the News of The Sunday Sun Political guru and Widdecombe hosts “Cleverdicks” on Sky . You couldn’t make it up.

Well I couldn’t : I’m far too tired. Good Night.

Cover Me, I’m Going In.

Posted on
3

Driving along the other day, I was listening to one of those shows which cover the old charts. The Top 20 of 1968, ’78, and ’88 – you know the sort of thing. These crop up, usually on old gits channels – like BBC Radio 2,  Smooth FM, or Magic. Not the sort of thing the under 30s listen to, but then again, no-one under 30 reads this, so who gives a monkeys? Back in the slagheaps of my youth, these were the sort of shows hosted by Ed “Stewpot” Stewart, Tony “Smug and Annoying” Blackburn or, of course Jimmy “Dodgy Bastard implicated  in child abuse, and protection rackets now inexplicably a National Treasure” Saville. He’s gone now, bless him, to jingle-jangle his way around the childrens’ wards of the afterlife. Owsaboutthatthen?

But that’s another story.

One of the chosen highlights of the 1978 chart was the lamentably unforgettable Arthur Mullard and Hylda Baker‘s cringe-worthy version of You’re the One that I Want, originally from Grease and sung by Elton John and Vincent Vega. We’d have never have thought there was a worse version than the original. Hilda and Arthur proved us wrong.

It led my mind to wander down many avenues and alleyways: Was Arthur the worst actor this country has produced ? Probably, (though it was a title cruelly taken from him by Mr and Mrs Law of Lewisham, south London, when they gave birth to their son Jude); should Hylda have been in the film instead of Stockard Channing ? She would have boosted the sex appeal of the movie; And of all the songs the radio station could have chosen to highlight from the top 20 of 1978, why did they decided to choose that one?

Having said that, I’ve always taken an interest in cover versions and the thought behind them. Whoever thought that it’s be a good idea for Bauhaus to cover David Bowie’s Ziggy Stardust needs both their head and ears testing, as it is basically the same song, just a different sticker on the vinyl (as it was back then).

A lot depends on the listener. When I was a kid I thought Blondie‘s “Denis Denis” was a wonderfully odd new number, until I discovered the original “Denise” by the beautifully named Randy and the Rainbows. I know kids that think Rolf Harris wrote Stairway to Heaven (even though it’s nowhere near the classic that is Jake the Peg) and got very upset when I played them the original. Come to think of it, I get upset when I hear it too, overrated shite that it is.

I have little time for The Wurzels, but their version of Don’t Look back in Anger has me in stitches every time it’s played. I only wish I see the look of disgust in the pretentious, slap-inducing faces of the John Lennon impersonators who wrote the ‘original’ when they hear it. I use the word ‘original’ under caution. I wait patiently for The Wurzels’ cover of anything by Morrissey. I can die in peace then.

I could go on. The Fugees version of “Killing Me Softly” stands up very well indeed against the Roberta Flack original, whereas Whitney Houston singing George Benson’s “Greatest Love of All” sounds like someone trying to machete to death a wounded ferret. It seems to these old ears that less and less of this sort of thing goes on. I often hear about sampling, rather than covering. I don’t know where one ends and another begins. I do know that “taking a sample” means something completely different now than it did to me when I was a kid. In the same way that whereas today Loverdose is a perfume, in my day it wasn’t something to give to your girlfriend, if you could possible help it.

So there you have it (for today at least). One man’s poison is another man’s Robert Plant classic is another man’s Rolf Glastonbury Anthem. One person’s sweet scent is another’s Loverdose. Ball or Aerosol ?

I’ll leave you with a version of “. A song made famous by Nancy Sinatra (and given a new lease of life in Kill Bill), covered by Cher (it’s becoming difficult to know what she hasn’t covered), but this time sung, and more importantly danced to by Raquel Welch. What were they thinking of ?

Our Frank

Posted on
22

Photo and half time oranges courtesy of Mr Terry Kirk

You’ll notice a couple of things about the above photo. Firstly, how the young man on the far left of the front row has hardly changed at all over the past 25 years since the snap was taken of the Dartfordians 1st XV 1985/86. The young then-winger went onto become one of east Bexley’s least talked about centers, one of the country’s slowest fast bowlers and writer of mumbling and bumbling slightly-left-of-centre blogs, part-time t-shirt maker and scaffolder’s knee-wrencher.

You’ll also notice the rather imposing figure, third in from the left of the back row of Frank Wallen. Man-mountain, father, brother (in all senses of the word), all-in wrestler, civil servant and tickler of the ivories (he played all the right notes in the right order). Frank died last night, they tell me, apparently of a heart attack. He will be sorely, sorely missed.

Frank was my vice captain when for some reason I was asked to captain the 1st XV. It was a long time ago, but the memories of my disastrous and lacklustre attempts to skipper that side still keep awake at night those poor sods who were there to witness it.

Not that Frank need have taken any of the blame for our appalling form (and I’d like to meet the bloke who’d have blamed him.) While my alcohol or apathy-related injuries prevented me from attending midweek training, Frank would be there, with the other 7 attendees, running around the dark and wet field, scaring and scragging people as he went. He did all this without a moan, without once having a go at me for not being there/being in the pub/staying at work/being in the pub (delete where applicable). Good job too: I’d have shit myself if he’d had done so.

Off the pitch he was as gentle a man you could ever wish to meet. Quiet, with a magnificent sense of humour and smile to match, he would sit at the bar, pipe on the go, nodding and giggling along with whatever story was being rolled out again for the umpteenth time. He was terrific company and seemed amiable and happy all the time.

On the pitch was a slightly different story. My mate Keith – no mean player himself – recounts the day as a 19 year old he took his place in the side as hooker, alongside Frank in the scrummage (Frank would have been around 30 by then already). The match was against local rivals Gravesend, and at each and every scrum, Frank’s opposite number would take the opportunity to call Frank a “black cvnt” every time their heads came close. What this bloke was going to do to Our Frank during and after the match was no-one’s business and anyone’s guess. Sadly for the Gravesend player (let’s call him Terry), the end of the game came sooner than expected. For him, at least.

As Keith jogged across to a lineout, he saw Terry, hands on his knees, bent over grabbing huge lungfuls of air between plays. Then something odd happened. Nothing is certain, but it seems Terry must have slipped because, all of a sudden, his chin came into violent connection with a freshly-arrived knee (the colour of which has never been proven). Terry exited the pitch quickly, chin-first, eyes shut, at a 30 degree angle and four feet above the ground, until he landed on the cricket square between pitches (somewhere around backward short leg). Frank looked around innocently. Keith threw up.

Everyone on the circuit knew Frank. He sorta stood-out. It wasn’t just that he was one of the few black prop-forwards around (we down the Rugby Club also enjoyed the playing company of his younger, bigger brother Brian), he was also as strong as one man could possibly be. I mean scary-strong.

Perhaps it was this strength that lent itself so readily to Frank’s other sporting passion: All-In Wrestling. These were the days well before WWF or Wrestlemania or whatever. Men in ill-fitting cotton and spandex outfits, pretending to jump up and down on other men, similarly attired. It must have been so hard for Frank to “pretend”.

But he didn’t fight as Frank Wallen. No, no, nothing as drab as that. When our Big Frank entered the ring he became none other than “Soul Brother Butcher” Dave Bond. It just rolled off the tongue in a way his opponents rolled off the canvass. Of this world of fixed bouts, of goodie and baddies, and little old women screaming at someone to “rip ‘is bloomin’ ‘ead orf”, Frank would tell you that he never competed as a goody. “Apart from in Brixton” he would add with smile.

After a rugby match, if you were particularly lucky, Frank and his big mate John Harrison (another big unit) would sit either end of a piano keyboard and treat you to some honky-tonk.  If you were really really lucky you’d have been in a public bar when this mate John pretended to square up to Frank, having the effect of terrifying the barman due to the imminent prospect of a huge punch-up between two enormous men. As the poor innkeeper, fearful of the pub’s decor, nervously shouted “I’ll call the police”, both Frank and John would cuddle the poor guy, Frank in fits of laughter as John (a member of Her Majesty’s Met Police) would tell him “they’re already here, mate”.

But more often than not, you’d find Frank sitting at the bar, supping on his pint and pipe, smiling and listening to all around him, chatting about the game that afternoon. He knew he was a little different, that he cut an impressive dash, an imposing figure. But all Frank wanted to do was to enjoy life, a game and a pint.

As I left the clubhouse one night, he got me into a headlock to tell me a joke (it’s what he did).
“Hey, Bomber, why do white girls go out with black blokes ?”
Dreadfully nervous of putting my foot in it I replied lamely “er…I dunno, Frank”
“To get their handbags back” he cracked. Huge grin across his face, giggling to himself like a schoolboy.

“Now Frank, you’d have killed anyone here if they’d have told you that” I suggested.
“Yep, but they never would, Mike.” he grinned “They never would”.

It Makes You Proud

Posted on
2

Not since The Rubettes appeared on Top of Pops will you have seen miming to a backing track done quite so well as this. It makes you thank the Great Beardy Being up above that the boys in the following video are defending us in the Gulf of Somewhere, not representing us in the Eurovision song contest.

All good fun though.

You don’t often see miming anymore. The audience of pop shows are too discerning, and anyway, you don’t see shows like TOTP any more, decent shows having been replaced by Omnibus episodes of Location Location Location Location Location, Come Snore with Me or Fuck It! . Stakes are high in the music industry nowadays. One dodgy performance could mean billions of lost downloads.

T’were simpler times, back in 1974.

The Battle Cruiser

Posted on
2

I do love a pub.

And when I say that, I don’t mean a bar, or a cafe bar. Or a restaurant with a bar where you wait while your table is prepared. I mean a pub.

While we’re at it I also don’t mean a converted high street bank. A place which used to be a very good community bank, and is now a very shite community service pub. A place where you can buy “A chicken curry and a pint for £4.99 every Tuesday”. I don’t mean a place adorned with signs announcing “Girls get Purple drinks Half price every Monday, Wednesday and third Sunday”. I mean a pub.

Sometimes a pub's so nice it merits stopping drinking and taking a picture. This is me in the perfect Hoppe in Amsterdam. And not a hot meal in sight.

A pub should generally follow several broad guidelines. A pub should be a place where one goes to meet old friends and make new ones. And drink with them. To that end, the music out of any speakers therein should be soft enough to hear yourself think and talk, loud enough to induce an argument over the singer or the song’s identity. What decent night down the boozer worth remembering didn’t have a row in it ? And an argument over music is as good a place to start as any.

Any live singer or band playing in the pub should adhere to the above decibel guidelines. If such proves impossible, the act should always remember they are playing in a public house and therefore popular, anthem-type songs, mostly over ten years old is a must. I don’t want to sit examining my pint to the strains of the garbage you composed in your garage last night. Save that for the students. Landlords should reserve just one night per week for live music. There are only so many times I want to hear/sing Sweet Caroline down the local: Once at about ten o’clock and one encore. That’s plenty. Unless I’m drunk.

Food is an important thing to consider when running a pub, and I always think a good landlord should follow this rule of thumb: There should be no food in a pub. Packets of nibbles behind the jump are permitted. But, customers, if you want to eat a meal, then make yourself a sandwich before you go out, or go to a restaurant, eat a meal, then go to the pub. Or go down the pub, have a goodly drink, then stagger into a curry house/chinese takeaway after the landlord of the pub has refused you further refreshment.

One of the more annoying sensations is trying to enjoy the happy, hoppy whiff of a well-poured pint only to have your nasal enjoyment interrupted by the odour of fish, chips, gravy and the like. This is a pub, not an eatery. If you get peckish help yourself to peanuts, pork scratchings, pickled eggs or crisps which are available, at a very competitive rate behind the bar. You’ve already rid us of the smell of a smouldering ashtray in the corner (oh, sorry mate, is that your girlfriend ?), don’t start rubbing Ralgex into the groin by putting sachets of ketchup on the table or waving a plateful of sausage ‘n’ mash at me, when I’m only interested in a pint of Light ‘n’ Bitter.

Outdoors Bad

You would think that it would be a prerequisite of owning a pub that you serve beer (or gin, if you really must) in a glass receptacle, wouldn’t you ? No such luck any more, I’m afraid. How many times have you walked up to a bar, ordered a drink only to be greeted by the dreaded phrase “you drinking that inside or out, luv?”  Who hasn’t lied at this juncture, only to be caught out by the potman when he sees you craftily swigging from your glass while standing in the garden cos your girlfriend thought “it’d be nice to drink outside”? You reluctantly hand your drinking vessel back to the glass collector who then transfers its contents into a plastic beaker. Oh, the shame of it. A 2009 United Nations report found that one of the most (some say only) catastrophic results of global warming will be a huge increase of people being forced by women to drink outside and thus being forced to slurp from plastic “glasses”.

There’s nothing like finding a lovely cold, dark pub when the sun’s blazing outside. Or a nice, cozy, warm pub when it’s freezing outside. In short, there’s nothing like finding a nice pub. We don’t go in there to get drunk, you understand? No, we go in there for the craic. Occasional drunkeness is an unfortunate by-product of enjoying the craic, but not a compulsory nor inevitable outcome. His eminence William (Bill) Greaves (see Now Then… elswhere in these pages) has informed us how to behave in such places and situations, and it is clear from his teachings that we should endeavour to conduct ourselves in a dignified way befitting a serious (and let us not forget expensive) pastime such as drinking. Right up to the time we are plastered, that is.

Indoors Good

Is it therefore too much to ask that the landlord should present to us an establishment fit and befitting of this aforementioned due respect to our favourite pasttime? These meeting holes should be places of wonderment and worship. What they shouldn’t be is reminiscent of airport departure lounges with the addition of a John Smith’s pump. We neither want nor need plastic leprechauns on the walls, rows of vodka-shots lined up on the bar or 24/7 football on the enormous tv screens in each and every corner. Take a butchers at The Salisbury, St Martin’s Lane, London (or The Harp just around the corner in Chandos Place) and you’ll see what I mean. You don’t have to be in England to find wonderful watering holes. You may struggle to find a pint of mild, but there are always corners of a foreign field which are perfect spots to while away the hours. Try The Hoppe in Amsterdam which is as close to heaven as you could possibly be without throwing a seven. It has been a bar since 1670 and they’re still wondering how or if to redecorate it! There’s Robert’s Western World in Nashville where, if you can excuse the lack of a decent beer, you can sit and listen to fantastic music while manfully trying to avoid a bourbon overdose. You will fail. It’s sensational because of and in spite of that.

Nearer to home there’s The Fleece in Halifax, if you catch it on the right night. You could do worse than visit my own Shovel in Dartford. A wonderful example of a tiny, well-kept drinking den. Food?  Next door, mate. There’s Henchy’s in Cork, but we don’t have enough time to discuss Irish pubs. Just pick one, you’ll like it.

And why do I go on so ? Haven’t we heard all this before ? Well that’s as maybe. But I have a particular reason for sharing my thoughts with you. After a slight hiccup in the brain department last week, it seems that I’m hurtling towards my first dry Christmas since 1979. No Shovel for me this year. No hangover on Boxing Day, trying to remember what I drunk and when. No, I’m down for lashings of tea and biscuits, with the temptation of a chocolate liqueur ever-present. It may not be as bad as it sounds. You really don’t want a hangover with a malfunctioning brain like mine. And that’s before having a stroke. The spector of repeat performance last week scared the willies out of me so for my own good I’m off the stuff for the foreseeable future.

So you’ll have to have mine for me. Take it sensibly and behave yourself. Enjoy it and enjoy whichever boozer you chose to make your own. You never know, you may end up in The Rose and Crown, swinging on the barmaid’s…er…earrings. I doubt if you’ll find George there though :

Oh, and by the way: This is a pub. Want a coffee? Fuck off to Starbucks.

Related articles

You Oughta Be in Pictures

Posted on
9

Take a good look at this photo. What do you make of it ? Like it ?

No, nor do I, really. Not thrilling at all, is it ? If the horizon wasn’t quite so..er..horizontal it could be mistaken for the end of a roll of film. Something snapped over the photographer’s shoulder as a means of getting to the end of the roll, thus being able to process and expose all the proper photos in taken beforehand.

But what if I told you it was taken, on purpose, by a professional photographer ? You might offer that, presumably the snapper had passed his camera to his 6 year old nephew to have his first go at photography ? The lad got lucky and managed to get the horizon smack-bang in the middle of the frame, get an uninterrupted, albeit rather dull, view of the river and achieved all this without obscuring the lens with his thumb.

But not a bit of it. The above snap is by genius (and I use that word advisedly) Andreas Gursky (b.1955) and is entitled Rhein II. God only knows what Rhein I was like. I doubt if I could have stood the excitement. Or maybe Rhein II is like Godfather III ? Shite compared to what went before in the series. Or ever, come to that.

Gursky is described as a German artist (note the absence of the word photographer). Whether the word German is inserted to in some way excuse the total lack of humour or charm in his work, only Herr Gursky and his manager know. All we do know is that, according to one puff I read he “makes large-scale, colour photographs distinctive for their incisive and critical look at the effect of capitalism and globalisation on contemporary …“ (sorry, I nodded off before the end), and that someone has just paid $4.3m (£2.7m) in a New York auction house for the above piece of work.

2.7 million quid. You could buy one of Carlos Teves’ boots for that. The police inquiry into the Murdoch muck over at News International has cost £3 million so far. The cost to the UK of the “war” in Libya cost an estimated £3 million per day. And, as luck would have it, $4.3m dollars was approximately what Michael Jackson was paying his crack medical staff every hour. Right up until he wasn’t.

Anyway, all I am saying is that 3 million quid is a lot of money for a load of old tut, which this plainly is. But who is the mug here? Herr Fotografer for snapping the snap, or us for indulging him, and worse, buying shite like this in the first place ? This is in no way an attack on the photographer. If I could get away with making a fortune out of tediously pretentious dross such as this snap I surely would. No: I blame the luvvies, the Art Buyers who persuade some rich idiot to send them down to Christie’s and pay a fortune for a bag of bollocks to hang on the office wall. I blame the magazine Art Directors, those that are too afraid to say that what they’re looking at is rubbish, who should stand up and say “I’m not putting that load of trash onto my pages”  but refuse to go against popular opinion (well not so much ‘popular’, as the opinion of the three chinless Associate Editors (Features) in the corner of the office who wouldn’t know photography if it jumped up and did a naked Haka in front of them). “Baaaaaaaaaaaaaaaa” go the sheep.

Please blame those that walk around using their thumbs and index fingers as an imaginary camera lens. Nine times out of ten, these are the people who have all the power with none of the knowledge. If you ever EVER happen to be walking around a newspaper or magazine office and see someone do this to a photo, call the fraud squad or knee them in the goolies. Probably both.

Fleet Street newspapers and (some) international magazines are full of arseholes using their digits to frame and crop images. It is a fact that not one, NONE of these people have the faintest idea of what they are doing. DO NOT LISTEN TO THEM.
Christ. Is it any wonder my head popped off ? This is not a new argument of mine (see In a Bucket with a Big Stick) but what else am I supposed to do in light of current events ?

A while back I used to look at piccies for a living. If I close my eyes and listen very carefully I can hear the faint but unmistakable tones of assorted art directors, and a couple of fact-checkers with whom I’ve worked over the years shouting that this is a marvellous photo, and that I still know nothing about either photos or art and it’s a damn good thing I am out of the picture-editing game. At last we have found something we can agree on! If this is indeed either a) a decent photo; or b) art then I am well and truly better out of that game and sit here in the comfort of my own underpants, knocking out tirades such as this. Or anything else I fancy knocking out.

As long as there is rubbish like this hanging around, masquerading as photography or art darling then I shall continue to fight the good fight against it. Call me a philistine if you must, but when that huge Euro Lottery win comes my way, 3 million quid of it won’t be spent on crap like that photo.

And I wouldn’t be at all surprised if he had to photoshop-out his thumb.

By the way, the buyer was not disclosed. Just sectioned.

…and altogether now…..

“Isn’t it ohhh! Isn’t it ahhh! Isn’t it absolutely wheee!


The suit of clothes is altogether, but altogether, it’s altogether
The most remarkable suit of clothes a tailor ever made
Now quickly, put it altogether With gloves of leather and hat and feather
It’s altogether the thing to wear in Saturday’s parade Leading the royal brigade”

Related articles

Set for Life

Posted on
5

I was watching an old episode of Frasier the other day. I happened across it by chance, luckily catching one of the 48 episodes which my cable channel broadcasts every day. Frasier is the I Love Lucy of the modern age. Wherever you are in the world, some channel somewhere is broadcasting either Frasier or Only Fools and Horses. Bloody good that they both are, I’m beginning to sync-quote them as I was apt to do with Fawlty Towers. And there are only 12 episodes in total of Basil F.  It’s bleedin’ obvious.

Anywhoo, there I was watching Dr Crane and Dr Crane argue about the younger one’s heart-bypass operation, and how he had been, quite frankly, a pain in the arse to all and sundry after the operation, telling any and all that would listen about his new perspective on life, having experienced being “clinically dead” for several seconds. His elder brother was of the opinion he was becoming a boring tit about it.

“That rings a bell”, thought I, and immediately pledged to the surrounded and listening world (just me, in reality) that I’d snap out of this feeling-sorry-for-myself bollocks, grab the bull by the balls and jolly well get on with it. Whatever “it” may turn out to be.

Then, just as I was girding my loins, stiffening my lip and pulling my massive self together, the postman dropped a bombshell through the letterbox, thankfully in a nice way – not a french satirical magazine way. I’m hoping above hope that the ABC Rowan Williams doesn’t throw anything nasty though my window just because earlier in the week I lampooned Mr Yeatman and ‘is Reverence. I’m all in favour of poking fun but the followers of Islam are not known for their humour, nor their tolerance. My flag-waving, liberal rabble-rousing and calling-to-arms suddenly hides under the table in the face of loonies with petrol bombs. I love my free speech. But you have to pick your targets, I reckon. As Frank Spencer once said: “There are old pilots and there are bold pilots, but there are no old,bold pilots.”**
Ditto satirical magazine editors, I reckon.

Anyway, back to my own bombshell. On opening the one letter the  postman had delivered that morning I pulled out a long piece of folded card. It was a luncheon menu from a cruise liner.

Seared scallops, poached pears, cod, lamb…the menu went on and on. It made me feel quite peckish:- well it was 10.30 in the morning and I’d only had 2 breakfasts, thus far. I started to tremble, but not because of the hunger (though that can’t have helped). No, I was trembling because I turned over the menu and there, running the length of the menu was a get well message from a legend.

Abraham Lincoln’s first draft of the Gettysburg Address was first scribbled down on a lunch napkin. There are apparently many John Lennon artworks and poems milling around which he hastily wrote down on the back of beer mats, menus or fag packets. There’s a Warhol sketch of some butterflies which is worth in the region of $30,000 and yet he knocked it out on a tissue (steady), in a couple of seconds between courses over lunch.

But all that pales into insignificance compared to what I held in my hands:

“To Mike

Get much better soon !

With Love

Bonnie Langford“

It was too good to be true. In an instant I knew all my worries were over. Forget being out of work. Forget what little remains in my pension fund. Ignore the equity which Tories and the recession are audibly eroding. Let the Greeks do what they want. Have a referendum, don’t have one. I could not one tiny fuck give any more. Double-dip recession ? Pah!

A pal of mine who occasionally works on the boats had risked life and limb, camped outside Bonnie’s cabin for days, then related the plight of his old fat mate, Mike, in order to secure the most sought-after autographs in show-business (not counting that of Dustin Gee.)

When the time comes and I’m down to my my last Bobby Tambling jockstrap and quilted smoking jacket, which on their own will not pay the bills, I shall march up to Sothebys with The Langford Menu under one arm and my signed copy of The Very Best of Chas n Dave under the other, put them both up for sale and my money worries will be a thing of the past.

It is rare that one, let alone two prized items come up under the hammer and I expect intense media interest, similar to that created by Monet’s Water Lillies,   Katie Price’s autobiography I Did it All Wiv Me Tits Out, and Amy Winehouse’s yet-to-be-unearthed-by-her-father fourth album Three Large Doubles (and One for Yourself).

So I’m now thinking of stringing this illness-thingy out a little longer. If I could lay my hands on signed well-wishes from, say, Billie Piper or even Colleen Rooney then the sky is the limit.  So, ooh-err, missus, I’m having another one of me funny turns. Quick nurse! The Screens: it’s happened again.

**Purists will recognise this quote from the Some Mother’s Do Ave Em episode: Oooh Betty! Here come the Mad Mullahs